October 2, 2010

A Tribute to Fall

I'm really missing the good old USA, as I do every year around this time.

(Burnside Bridge, Antietam, 2008)

(Antietam Battlefield, 2008)

It's funny how nostalgic we get about our place of origin when we are no longer there to hate on it and tell it it's boring. And oh, how nostalgic I get. About the riot of color as leaves start to die, the pervasive smell of burning wood, new school supplies, pumpkin-flavored things. Leaf crunching opportunities. It's almost too much.

... which is why, when a fantastically glorious friend sends me a VAT of Starbucks pumpkin spice syrup (definitely not meant to be sold as retail, but my little Brown beauty has tricks up her sleeve), I get a little overwhelmed. See?


So here's a little something I wrote after my travels in Europe about leaves and change and... well, coming home. Happy Fall, everybody. I'll be home soon.

A Dying Season

Most of my childhood travel memories are overcast by nausea. It always rose quickly during my family’s drives through the Blue Ridge Mountains. I'd ride the s-bends with my fingers stuck out the window, green face reflected in the bug-smeared glass. But even between bouts of Dramamine-induced coma, I remember the scenery clearly. As we wound through the mountains, past the multi-layered rock shelves speckled with moss, we would all grow quiet, captured by Virginia's autumn foliage. Nature's dying season would sneak up on us when we weren't paying attention - first in yellow hazard yellow bursts between boughs, then a sprinkling of pale pink and ochre. Then Fall would smother us in one fluid motion, trees exploding as if on fire. The leaves shouted through the silence, cut only by Lyle Lovett crooning through our car's speakers.

Being a child of the temperate world, I was used to the wonders of seasonal changes: the smell of snow approaching, the feel of new leaves between fingertips. Even so, every year at my great uncle's farm in the mountains, I would lie beneath the trees staring up in eternal awe at sharp outlines of yellow leaves against blue sky. Fall's colors captured me in a way the other seasons didn't. When I went to college on Virginia's coast, good autumn foliage seemed to get harder to find. The season seemed to have grown inexpressive with the passing of time, which made me sad, because I needed the season. Adult cares were heaping themselves upon me, and change was becoming a frightening thing. I started to wonder if I'd dreamed those brilliant farmhouse days. My Fall exhilaration was fading as the leaves did: quickly and dispassionately along the overpopulated highways.

It was October 2006 when I arrived in Switzerland seeking refuge. It was my first trip to Europe, to which I fled to escape the change that had been ravaging my life. Interlaken may be a small town, but it boasts a long and impressive list of death-defying activities. I was happy to stick to the dangerous realm of Scootering, which was daring enough to satisfy me. But when a good-looking Australian offer to take you paragliding, it's kind of impossible to say no. Compared to canyon jumping, it seemed like a safe bet. Our van ride up the mountain was like one of my family's Blue Ridge trip on amphetamines. As we screeched around our sixth or seventh blind curve somewhere near the speed of sound, I began to wonder what I'd gotten myself into. And if I was destined to puke in the good-looking Australian's lap. Once we'd reached our destination, though, I was ready to soak in the scenery. So when Andy, the overexcited Swede strapped to my back, told me to run down the very steep hill towards the tree line, it seemed like the right thing to do. That was before I felt our collective weight being bounced around as our parachute opened and my legs barely missed the tops of the pine trees. I am no fan of heights, a fact I only remembered once my feet were thirty feet above the ground. The cold air pressed against my fearful heart.

Then, it happened: suddenly I was flying over the foliage of my childhood. Lake Brienz, a cerulean blue diamond glistening before us, was crested by a world set on fire. There were the waves of yellow, spotted and flecked with russet and burnt orange and flushed pink. Each leaf was its own revolution, rioting alongside its compatriots, streaming together while standing alone. Up there, surrounded by the most significant of nature's changes, it hit me: that thing that had always captured me about Fall's changes. Autumn always showed me that life's transitions shouldn't be a source of fear. Times of change hold a beauty all their own, filled with untrodden pathways, chances for us to grow and explore. Change allows us to open our eyes, stop looking ahead or behind, and enjoy the thrill and novelty of simply being alive.


I think the peace I found in those farmhouse days, and that moment in the Swiss Alps, had to do with much more than the beauty of the seasons. Though they were temporary, and always will be, they held a hint of the eternal. They helped to make my childhood feel unhurried. They allow me to return to it still, to rest in the understanding that the process of changing, in nature and in life, is a beautiful thing with the potential to reveal to us the most beautiful parts of ourselves. How strange to stumble back onto that knowledge so far from the mountains of my youth. How lucky.


September 28, 2010

Editorial Domination: Book 1

The month of October will see my name in commercial print for the very first time. Here's a quick peek at the Queensland Food & Wine Touring Atlas, the product that I got to cut my editorial teeth on. Check it out:




And, just because I'm a nerd like that:


I came to Hema when this book was being laid up by design, so much of my contribution was that of a proofreading/fact checking nature. I learned a lot of editorial lessons while doing this.

1. Consistency is key: knowledge of house style is pretty crucial in creating a readable product that jumps out at a reader in the right way. So my strong feelings concerning issues such as 'and vs &' and whether or not long numbers should have commas in them have all FINALLY been validated.
2. Never leave multiple book proofs lying scattered willy nilly on your desk: you will get SUPER confused about what changes have been made and which haven't. And a confused editor is not a happy editor.
3. Chocolate is truly the best work incentive.
4. Editing a book with lots of little pictures and maps is a great way to develop chronic neck cramps, but it's all worth it when you have the final product sitting on top of your desk.


September 11, 2010

Book Review: Linger

Linger by Maggie Stiefvater
YA Urban Fantasy

It's been a loooong time since I blogged. It's been a rough couple of months. And when times get rough, I get reading. And watching period films. And, recently, Buffy the Vampire Slayer seasons 1 - 3 (something about 90s fashion and bad vampire makeup seems to sooth me).

I'm going to be upfront and say that when I eagerly picked up Linger I was already in love it. I had already read Shiver, the first book in this series, and am a regular reader of Maggie's blog. I have a huge aspiring writer's crush on her. But still: this book lived up to all of my expectations.

I loved this book for the same reasons I loved Shiver.

First, because of the strength of the story's tone. The book oozes longing - the longing for connection, for permanence in a crazy world, for escape - it pervades every sentence, every beautifully constructive phrase, hanging over the story like a good soundtrack. The mood is satisfyingly palpable, and you can see how the four POV characters mirror that longing in different ways.

I was captivated by the strength of each characters' individual voice. All four character's voices are very distinct: you could crack open the book to any page and know who is narrating. Because of this, you get a story made richer for experiencing it through very different sets of eyes. These characters become mirrors for each other, reflecting a new and surprising truth with every change in point of view. I love that the same scene would sometimes be narrated by more than one character and would bounce back and forth between two perspectives. This book is a good example of how the 'always keep us in one character's head' rule can (and sometimes should) be ignored.

Third, the unabashed grit in the story. This is not just a 'boy and girl in love vs the world' YA story. It contains emotionally ugly, raw, and sometimes uncomfortable truths. I love that these four characters all said and did things that made me feel frustrated and disappointed. I like that Grace's parents were horrid in such a believable and unsightly way. I like that this book leaves frayed edges exposed, refusing, as many other YA books like to do, to tie up all the loose ends and make everything neat and tidy by The End. This story is emotionally jagged, and all the more enjoyable for being so.