As I round the 60,000 word mark in my WIP, things are starting to get complicated. I am trying to weave several different threads together, and to make sure they all make sense side by side. There's pacing to consider, and whether my characters are still humming along on the right track. I worry about this, sometimes, because it's easy to overcomplicate stories. You think you need to add in rather than take out; to add in more drama and more monsters, or else you'll lose people's attention. That's the stuff that keeps readers reading, right?
Except then I see a book trailer like this one, reminding me that evocative storytelling doesn't have to be complicated. Sometimes it's more powerful when it's not.
You don't know what this story is about, right? All you know is that this kid who likes music is having a hard time, and that he's trying to find ways to deal with it. No words are spoken, no secondary characters introduced. There is only this kid with a bloody nose walking off with an axe...and I really want to know what he's going to do with it. Don't you?
Currently Writing To: "White Blank Page" by Mumford & Sons